{"id":9342,"date":"2020-03-08T13:44:57","date_gmt":"2020-03-08T11:44:57","guid":{"rendered":"http:\/\/helensjoholm.nu\/_eng\/?page_id=9342"},"modified":"2020-03-08T14:35:13","modified_gmt":"2020-03-08T12:35:13","slug":"musical-gives-a-fresh-feminist-twist-on-mental-illness","status":"publish","type":"page","link":"https:\/\/helensjoholm.nu\/_eng\/press-clips\/reviews-2020\/musical-gives-a-fresh-feminist-twist-on-mental-illness\/","title":{"rendered":"Musical gives a fresh feminist twist on mental illness"},"content":{"rendered":"<p><strong>Svenska Dagbladet 200301<\/strong><\/p>\n<p>Av: SOFIA NYBLOM<\/p>\n<p><strong>Helen Sj\u00f6holm and Daniel Engman embody the shame of mental fragility with humor and musicality in <em>Next to normal<\/em>. The musical raises a taboo subject in the daylight and touches on the depth.<\/strong><\/p>\n<p><em><strong>Next to normal<\/strong><\/em><br \/>\nGenre: Musical<br \/>\nDirected by: Ronny Danielsson<br \/>\nStarring: Helen Sj\u00f6holm, Daniel Engman, James Lund, Rolf Lydahl, Stina Nordberg, Martin Redhe Nord.<br \/>\nMusicians: Magnus Bengtsson, Joakim Hallin, Hanna Helgegren, Ulric Johansson, Dan Str\u00f6mkvist, Anna Wallgren<br \/>\nWhere: Uppsala City Theater<br \/>\nLyrics: Brian Yorkey.<br \/>\nSwedish lyrics: Calle Norl\u00e9n<br \/>\nChoreography: Roger Lybeck<br \/>\nMusic: Tom Kitt.<br \/>\n(&#8230;)<\/p>\n<p>In a virtuoso opening number, the psychiatrist in <em>Next to normal<\/em> writes a long line of colorful medicines to bipolar Diana, who exclaims: &#8220;Sobril is my favorite color!&#8221;. The monologue is interspersed with a humorous pastiche in walz pace of <em>My Favorite Thing<\/em>, the song in <em>Sound of music<\/em> which is about tempering the fear with cute stuff.<\/p>\n<p>The question is: is it me who is crazy, or is it my partner who makes me sick? (&#8230;)<\/p>\n<p><strong>When the success musical comes<\/strong> to Uppsala city theater, a bunch of musical foxes guarantee the highest quality. Ronny Danielsson&#8217;s directing adds low-key seriousness while the title role as Diana is played with responsive humor by musical star Helen Sj\u00f6holm, and equally experienced Daniel Engman manages the diabolical psychiatrist who triggers a process of change and turns upside down on Diana&#8217;s marriage and life.<\/p>\n<p>It\u00b4s the dance between them that raises the taboo-related theme of mental illness in the spotlight &#8211; but in Calle Norl\u00e9n&#8217;s Swedish lyrics there is also a fresh, feminist twist. To be sure, it\u00b4s a messed-up world where women are declared ill, when the problem is just as much because men lack contact with their own emotions.<\/p>\n<p><strong>The playwright Julia Przedmojska<\/strong> works with stylized minimalism that puts the actors in focus. The curtain goes up over a home painted and decorated in fifty shades of beige. Diana&#8217;s husband Dan (Rolf Lydahl) (\u2026) wants her to calm down so they can become a normal family. But it doesn\u00b4t work out as he imagines when he is dragging his wife to various psychiatrists, after a manic relapse where she washed the home with hand-rubbing and shopping for toasters. Diana begins to process the trauma that triggered the disease, confronts her husband, and realizes how effectively he has suppressed it himself.<\/p>\n<p>&#8220;I&#8217;m here!&#8221; Gabriel (Martin Redhe Nord) sings, the rocky rebel son who haunts the family long after his passing in infancy, and becomes Diana&#8217;s alter ego in psychosis. On the other hand, the caricurated extroverted daughter Natalie (Stina Nordberg) feels unseen by her parents, starts nibble her mother&#8217;s tablets and living a hectic nightlife before her boyfriend Henrik, nicely played by James Lund, gets her on second thoughts (&#8230;)<\/p>\n<p><em>(The entire review is not reproduced for copyright reasons)<\/em><\/p>\n<p><a href=\"https:\/\/helensjoholm.nu\/_eng\/press-clips\/reviews-2020\/\">Back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Svenska Dagbladet 200301 Av: SOFIA NYBLOM Helen Sj\u00f6holm and Daniel Engman embody the shame of mental fragility with humor and musicality in Next to normal. <a class=\"more-link\" href=\"https:\/\/helensjoholm.nu\/_eng\/press-clips\/reviews-2020\/musical-gives-a-fresh-feminist-twist-on-mental-illness\/\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9318,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-9342","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"Svenska Dagbladet 200301 Av: SOFIA NYBLOM Helen Sj\u00f6holm and Daniel Engman embody the shame of mental fragility with humor and musicality in Next to normal. 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