{"id":13772,"date":"2023-11-19T16:15:52","date_gmt":"2023-11-19T14:15:52","guid":{"rendered":"http:\/\/helensjoholm.nu\/_eng\/?page_id=13772"},"modified":"2023-11-19T16:22:39","modified_gmt":"2023-11-19T14:22:39","slug":"house-of-angels-is-made-for-the-musical-stage","status":"publish","type":"page","link":"https:\/\/helensjoholm.nu\/_eng\/press-clips\/reviews-2023\/house-of-angels-is-made-for-the-musical-stage\/","title":{"rendered":"House of Angels is made for the musical stage"},"content":{"rendered":"<div style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium\" src=\"https:\/\/helensjoholm.nu\/_eng\/wp-content\/gallery\/pressklipp-2021-2030\/bt-230911-mats-backer.jpg\" alt=\"Helen in her role as Rut in \u00c4nglag\u00e5rd, together with the ensemble, on the stage of the Oscar Theatre.\" width=\"800\" height=\"529\"><p class=\"wp-caption-text\">Photo &amp; \u00a9 Mats B\u00e4cker<\/p><\/div>\n<p><strong>2023-09-11 Bor\u00e5s Tidning&nbsp;<\/strong><\/p>\n<p>By: ELIN THORNBERG<\/p>\n<p><strong>Colorful, fun with fantastic songs and a star-studded ensemble with Helen Sj\u00f6holm as the obvious driving force. The musical <em>\u00c4nglag\u00e5rd (House of Angels)<\/em> succeeds in bringing the classic movie into the present (&#8230;)<\/strong><\/p>\n<hr>\n<h4>Colin Nutleys <em>House of Angels<\/em> \u2013 musikalen<\/h4>\n<p><strong>Where:<\/strong> Oscar Theater, Stockholm<\/p>\n<p><strong>Director:<\/strong> Edward af Sill\u00e9n<\/p>\n<p><strong>Composer and lyrics:<\/strong> Fredrik Kempe<\/p>\n<p><strong>Screenplay:<\/strong> Edward af Sill\u00e9n and Daniel R\u00e9hn<\/p>\n<p><strong>Orchestral arrangement:<\/strong> Karl-Johan Ankarblom<\/p>\n<p><strong>Choreography:<\/strong> Per Magnus Andersson<\/p>\n<p><strong>Scenography:<\/strong> Lars \u00d6stbergh<\/p>\n<p><strong>Conductor:<\/strong> Johan Siberg<\/p>\n<p><strong>Producer:<\/strong> Vicky von der Lancken and Johan von der Lancken<\/p>\n<p>C<strong>ast:<\/strong> Helen Sj\u00f6holm (Rut), Tommy K\u00f6rberg (Gottfrid), Tuva B Larsen (Fanny), Lindy Larsson (Zac), Fredrik Lycke (Axel), Gustav Levin (Ivar), Sofia Pekkari (Eva), Per Svensson (the priest ), Martin Stokke Mathiesen (M\u00e5rten) and Denny Lekstr\u00f6m (lawyer Ragnar) + ensemble.<\/p>\n<hr>\n<p>(&#8230;)<\/p>\n<p>Becoming a musical in 2023 is the best thing that could happen to <em>House of Angels<\/em>. Here, the story has been collected, refined, peeled and re-baked, with strong vocal numbers as the main ingredient. And there is a lot of it here. The songwriter Fredrik Kempe has obviously been inspired by great musicals such as <em>Chess<\/em> and <em>Kristina from Duvem\u00e5la<\/em> and delivers several strong songs that let the artists&#8217; voices take center stage.<\/p>\n<p>(&#8230;) The story, as many of us know, revolves around the House of Angels, which after Erik&#8217;s death is taken over by the show artist Fanny \u2013 the heir no one thought existed. Fanny and her friend Zac shake up the small community from the ground up. However, the plot has been rearranged, and in the musical it is actually Rut Flogf\u00e4lt \u2013 the deceived wife, played by an absolutely fantastic Helen Sj\u00f6holm \u2013 who is the nerve and driving force of the story. She knows right from the start who Fanny is, and also that her husband has cheated on her 30 years earlier with the woman she thought was her best friend \u2013 Alice, Fanny&#8217;s mother. When Fanny appears, of course Rut&#8217;s world collapses.<\/p>\n<p>It\u00b4s Rut \u2013 not Fanny \u2013 who takes the biggest place in the musical. An unexpected but welcome change. Helen Sj\u00f6holm gives her all in her magnificent solo numbers such as <em>Min plats i solen (My place in the sun)<\/em>, as well as the strong duet <em>Moln av vita l\u00f6gner (Clouds of white lies)<\/em> with Fredrik Lycke, but is also funny in ensemble numbers such as <em>Sticka, sticka (Knit, knit)<\/em>. Her clear, natural voice and strong empathy show once again that she is natural on the musical throne. Tommy K\u00f6rberg is the musical&#8217;s second exclamation point as the cute old man Gottfrid. Initially, Gottfrid and his brother Ivar (played by a charming Gustav Levin) are mainly comical as in the incredibly choreographed <em>En enkel gubbe (A simple old man)<\/em>, but above all Gottfrid deepens into a serious and moving character, as in the beautifully stripped-down ballad <em>Ljusa minnen (Bright memories)<\/em> of a love story that never happened (&#8230;)<\/p>\n<p>The musical also offers a series of delightful performances with the super duo Tuva B Larsen and Lindy Larsson in the lead as Fanny and Zac, whose interaction, attitude and charisma are in obvious focus every time they are on stage. The idyllic countryside aesthetic is mixed with German cabaret and fantastic costumes. In the stylish ensemble number <em>K\u00f6tt och blod (Flesh and blood)<\/em>, where the countrymen challenge the German cabaret artists, I let a &#8220;wow&#8221; escape my lips.<\/p>\n<p><em>House of Angels<\/em> is made for the musical stage. Despite the movie&#8217;s somewhat dated theme of rural people&#8217;s narrowness, the musical succeeds not only to entertain, but also to say something about our own contemporary times and how rewarding it can be when we accept and try to understand each other, no matter how different we may seem.<\/p>\n<p>Hats off to <em>House of Angels<\/em>. I can hardly save myself until the studio album comes.<\/p>\n<p><em>(The entire review is not reproduced for copyright reasons)<\/em><\/p>\n<p><a title=\"Reviews 2023\" href=\"https:\/\/helensjoholm.nu\/_eng\/press-clips\/reviews-2023\/\">Back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2023-09-11 Bor\u00e5s Tidning&nbsp; By: ELIN THORNBERG Colorful, fun with fantastic songs and a star-studded ensemble with Helen Sj\u00f6holm as the obvious driving force. The musical <a class=\"more-link\" href=\"https:\/\/helensjoholm.nu\/_eng\/press-clips\/reviews-2023\/house-of-angels-is-made-for-the-musical-stage\/\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":13391,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-13772","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/pages\/13772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/comments?post=13772"}],"version-history":[{"count":0,"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/pages\/13772\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/pages\/13391"}],"wp:attachment":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/media?parent=13772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}