{"id":13047,"date":"2022-12-25T17:56:12","date_gmt":"2022-12-25T15:56:12","guid":{"rendered":"http:\/\/helensjoholm.nu\/_eng\/?page_id=13047"},"modified":"2022-12-25T17:58:39","modified_gmt":"2022-12-25T15:58:39","slug":"helen-sjoholm-and-anna-stadling-concert-hall","status":"publish","type":"page","link":"https:\/\/helensjoholm.nu\/_eng\/helen-sjoholm-and-anna-stadling-concert-hall\/","title":{"rendered":"Helen Sj\u00f6holm and Anna Stadling, Concert Hall"},"content":{"rendered":"<p><strong>G\u00f6teborgs-Posten 2022-12-18<\/strong><\/p>\n<p>By: JONATHAN BENGTSSON<\/p>\n<p>(&#8230;)<\/p>\n<p>Already during the first intermission, Helen Sj\u00f6holm does something adventurous. The fifty-two-year-old artist stands at the microphone and commits, it cannot be interpreted in any other way, a bit of street poetry. She talks about lights and Christmas decorations, which then culminates in a party that includes the phrase &#8220;a square with beavers&#8221;. It&#8217;s hard to tell where we&#8217;re going, but it&#8217;s strangely pleasant. The audience laughs, Sj\u00f6holm still looks collected.<\/p>\n<p>(&#8230;)<\/p>\n<p>Christmas concerts are usually emptied of risk. Christmas concerts are usually enslaved under security and tradition.<\/p>\n<p>But this excellent evening with Anna Stadling and Helen Sj\u00f6holm is full of bold decisions. Stadling, for example, enters the scene in a galactic sark. The outstanding guitarist Johan Lindstr\u00f6m ends <em>Decembernatten st\u00e5r i brand (December night is on fire)<\/em> with a completely ungodly solo; as if someone sifted Mark Knopfler through a saffron bun.<\/p>\n<p>This Christmas concert may therefore be unusual, but it is nevertheless fine-tuned. Helen Sj\u00f6holm and Anna Stadling have known each other all their lives, which sounds good. They have appeared together in hospitals, at homesteads and retirement homes.<\/p>\n<p>Sj\u00f6holm can easily be called Sweden&#8217;s leading singer. She sings, it may sound strange, so well that she feels kind. If you find yourself in disgrace, you are thrown to sea on a small raft, you bleat out there like a calf; Sj\u00f6holm would probably come to the rescue. But Anna Stadling also shows off her delightful register tonight.<\/p>\n<p>The duo&#8217;s interpretation of <em>I den bleka vinternatt (In the pale winter night)<\/em> wraps the heart in lamb&#8217;s wool. <em>Gl\u00e4ns \u00f6ver sj\u00f6 och strand (Shine over lake and shore)<\/em> is a calm, rhythmic sleigh ride back to childhood. <em>Jag tror det blir sn\u00f6 i natt (I think it will snow tonight)<\/em> settles into the reward system like a bowl of rice pudding. The whole last hour is actually lovely, if we&#8217;re being honest.<\/p>\n<p>Also the band must be mentioned. They lurk behind the songs like patient nocturnal animals; and then they enter. During <em>Julefrid i G\u00f6teborg (Christmas peace in Gothenburg)<\/em>, Lindstr\u00f6m performs one of the best solos I&#8217;ve heard in years. Sometimes it sounds like he&#8217;s playing guitar with a shark tooth.<\/p>\n<p>(&#8230;)<\/p>\n<p>Overall, this is an excellent evening. It manages to both break with traditions and nurture them.<\/p>\n<p><em>(The entire review is not reproduced for copyright reasons)<\/em><\/p>\n<p><a title=\"Reviews 2022\" href=\"https:\/\/helensjoholm.nu\/_eng\/press-clips\/reviews-2022\/\">Back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>G\u00f6teborgs-Posten 2022-12-18 By: JONATHAN BENGTSSON (&#8230;) Already during the first intermission, Helen Sj\u00f6holm does something adventurous. The fifty-two-year-old artist stands at the microphone and commits, <a class=\"more-link\" href=\"https:\/\/helensjoholm.nu\/_eng\/helen-sjoholm-and-anna-stadling-concert-hall\/\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-13047","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/pages\/13047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/comments?post=13047"}],"version-history":[{"count":0,"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/pages\/13047\/revisions"}],"wp:attachment":[{"href":"https:\/\/helensjoholm.nu\/_eng\/wp-json\/wp\/v2\/media?parent=13047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}